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Don’t Let Disco has introduced The Opening, its second fine jewelry collection, designed by founder Ashley Moubayed. The pieces combine crystals, found objects and antique references with wearable forms; the source report does not provide prices, a release date or sales details.
Jewelry label Don’t Let Disco has introduced The Opening, its second fine jewelry collection, with designer Ashley Moubayed combining crystals, found objects and antique-inspired details in necklaces, bracelets and earrings. The collection extends the brand’s interest in object-based design while bringing its eclectic materials into pieces intended to be worn and layered.
The collection draws on what the Harper’s Bazaar report describes as “practical magic”: sun-charged crystals, found objects and the shimmer of what the article calls desert diamonds. The report identifies The Opening as the brand’s second fine jewelry collection, following a debut collection introduced the previous spring. It does not specify what “desert diamonds” refers to as a material or provide a full inventory of the collection.
Moubayed’s designs mix sterling silver, semiprecious stones and unusual decorative elements. Universe pendants use colorful stone discs framed by thin silver wire and suspended from the brand’s Keeper collars, which the report describes as maintaining an elliptical form. Other pieces include bead strands with wooden tassels and smoky stones, as well as charms incorporating pearls, an antique cigarette canister and rock crystal orbs known in jewelry as “pools of light.”
The source article describes Moubayed showing a quartz bangle-pendant attached at an angle to a Totem chain necklace, illustrating how the pieces can be combined. It also notes the use of 19th-century wire-wrapping techniques in the earlier collection’s rock-crystal designs. The report does not say whether that technique appears across The Opening or provide product prices, sales channels or exact availability.
Wearable Objects With Design History
The collection offers a view of how an independent jewelry label can make historical references and collected objects part of contemporary styling, rather than treating jewelry only as a set of matching pieces. Moubayed’s necklaces and pendants are described as components that can be rearranged or layered, giving customers room to build combinations around individual pieces.
That approach is relevant to shoppers interested in jewelry with visible material character and a less uniform look. The report also connects the designs to familiar references, including Art Deco geometry, midcentury decorative arts and 1960s space-age forms. These are descriptions of the collection’s influences, not claims about its commercial performance or how buyers will respond.
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From Antiques to Fine Jewelry
Before founding Don’t Let Disco about five years before the interview, Moubayed worked at Sotheby’s for five years, directing marketing strategy across categories that included rare books, Renaissance paintings and 20th-century decorative arts. She told Harper’s Bazaar that she was drawn to displaying objects in a curio-cabinet style and to historical design periods in which proportions and materials were deliberately considered.
The report links those interests to the collection’s mix of shapes and textures. Moubayed also described a long-running interest in rocks, which she traced to a children’s museum book about geological formations. Her family’s collecting traditions and her own teenage practice of taking apart thrift-store jewelry and reassembling it provide further personal context for her approach, as recounted in the interview.
““Everything we do is meant to be built upon.””
— Ashley Moubayed, speaking to Harper’s Bazaar
Release and Pricing Details Remain Unstated
The Harper’s Bazaar report does not give prices, a precise launch date, stock levels or purchasing links for The Opening. It also does not list every piece or confirm which materials appear in each item. The article’s references to stones’ “powers” and to practical magic are part of the collection’s aesthetic and Moubayed’s framing; they are not evidence of supernatural effects or independently verified properties.
The report notes that Harper’s Bazaar may earn commissions from products selected by its editors. It does not say whether the collection is available directly from Don’t Let Disco, through retailers, or by another route.
Availability Information to Follow
Readers interested in buying the pieces will need to check Don’t Let Disco’s official sales channels or the brand’s current product listings for availability, prices and item-by-item material details. The source report does not name a forthcoming launch event, next collection or additional announcement, so no further release milestone is confirmed.
Key Questions
What is The Opening?
The Opening is Don’t Let Disco’s second fine jewelry collection, designed by founder Ashley Moubayed.
What materials and design elements does the collection use?
The report describes crystals, semiprecious stones, sterling silver, pearls and found or antique objects, including tassels and charms. It does not provide a complete materials list for every piece.
How does The Opening relate to Don’t Let Disco’s earlier collection?
The Opening follows the label’s first fine jewelry collection, introduced the previous spring. The earlier designs included rock-crystal “pools of light” and used 19th-century wire-wrapping techniques, according to the report.
When will the collection be available, and how much does it cost?
The source article does not state an exact release date or pricing. Buyers should consult the brand’s current listings for confirmed availability and costs.
Source: harpersbazaar.com
